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In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a role in a version of Faust in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the 19th century in London, when she is an aspirant opera singer and becomes the protégée of the Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler who makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells him that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present day and has a great surprise when she is introduced to the producer of the opera. —Claudio Carvalho, Rio de Janeiro, Brazil
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In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a role in a version of Faust in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the 19th century in London, when she is an aspirant opera singer and becomes the protégée of the Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler who makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells him that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present day and has a great surprise when she is introduced to the producer of the opera. —Claudio Carvalho, Rio de Janeiro, Brazil
Synopsis
In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a role in a version of Faust in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the 19th century in London, when she is an aspirant opera singer and becomes the protégée of the Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler who makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells him that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present day and has a great surprise when she is introduced to the producer of the opera. —Claudio Carvalho, Rio de Janeiro, Brazil
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