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Set in late Soviet-era Afghanistan, this coming-of-age tale from Shahrbanoo Sadat follows her acclaimed debut Wolf and Sheep, and is the second film in a planned pentalogy based on the diary of writer Anwar Hashimi. Protagonist Qodrat returns, now a 15-year-old boy who is sent to a state orphanage after getting caught selling black market cinema tickets. Coping with bullies, friendship and a nascent romance, Qodrat finds escape in Bollywood-esque song-and-dance fantasies that delight him - and the audience - even as his homeland starts to fall apart. Sadat captures the innocence of late 1980s Afghan youth with pleasing and nostalgia-tinted charm, while remaining keenly aware of the violence that history would soon thrust upon them. —AnonymusB
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Set in late Soviet-era Afghanistan, this coming-of-age tale from Shahrbanoo Sadat follows her acclaimed debut Wolf and Sheep, and is the second film in a planned pentalogy based on the diary of writer Anwar Hashimi. Protagonist Qodrat returns, now a 15-year-old boy who is sent to a state orphanage after getting caught selling black market cinema tickets. Coping with bullies, friendship and a nascent romance, Qodrat finds escape in Bollywood-esque song-and-dance fantasies that delight him - and the audience - even as his homeland starts to fall apart. Sadat captures the innocence of late 1980s Afghan youth with pleasing and nostalgia-tinted charm, while remaining keenly aware of the violence that history would soon thrust upon them. —AnonymusB
Synopsis
Set in late Soviet-era Afghanistan, this coming-of-age tale from Shahrbanoo Sadat follows her acclaimed debut Wolf and Sheep, and is the second film in a planned pentalogy based on the diary of writer Anwar Hashimi. Protagonist Qodrat returns, now a 15-year-old boy who is sent to a state orphanage after getting caught selling black market cinema tickets. Coping with bullies, friendship and a nascent romance, Qodrat finds escape in Bollywood-esque song-and-dance fantasies that delight him - and the audience - even as his homeland starts to fall apart. Sadat captures the innocence of late 1980s Afghan youth with pleasing and nostalgia-tinted charm, while remaining keenly aware of the violence that history would soon thrust upon them. —AnonymusB
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